Visual artist
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For the Sake of Colour (2013)

 
For the Sake of Colour (2013) "In the exhibition at Entrée, For the Sake of Colour, Vilde Salhus Røed is examining photography as representation and object at the same time. Early colour photographs, taken for the sake of colour, has been collected for the sake of colour by photographer Leif Preus (1928 - 2013) and archived in Preus Museum. Salhus Røed has investigated this material and reprocessed two new series; Where the Mountains are Pink and A Carpet of Primroses. Taking these found images as her point of departure for colour sampling, she has developed Colour Corrections, a series of analogue monochromes, by solely filtrating light to make colour impressions." - From the press release for the exhibition For the Sake of Colour at Entrée, May 2013 Photo: Randi Grov Berger/Entrée Installation view at Entrée 2013

For the Sake of Colour (2013)

"In the exhibition at Entrée, For the Sake of Colour, Vilde Salhus Røed is examining photography as representation and object at the same time. Early colour photographs, taken for the sake of colour, has been collected for the sake of colour by photographer Leif Preus (1928 - 2013) and archived in Preus Museum. Salhus Røed has investigated this material and reprocessed two new series; Where the Mountains are Pink and A Carpet of Primroses. Taking these found images as her point of departure for colour sampling, she has developed Colour Corrections, a series of analogue monochromes, by solely filtrating light to make colour impressions."
- From the press release for the exhibition For the Sake of Colour at Entrée, May 2013

Photo: Randi Grov Berger/Entrée
Installation view at Entrée 2013

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Where the Mountains are Pink (2013) Photo reproductions of prospects in the box named Diverse Landskap. PZ Farger (Various Landscapes. PZ Colours), by unknown photographers. In the courtesy of Preus Museum Inkjet on hot press fibre paper, mounted on wood Photo: Randi Grov Berger/Entrée Installation view at Entrée

Where the Mountains are Pink (2013)
Photo reproductions of prospects in the box named Diverse Landskap. PZ Farger (Various Landscapes. PZ Colours), by unknown photographers. In the courtesy of Preus Museum
Inkjet on hot press fibre paper, mounted on wood

Photo: Randi Grov Berger/Entrée
Installation view at Entrée

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A Carpet of Primroses (Red Dress, Red Flowers, Green Study, Blue Interior (Darker), Blue Interior (Bright), Blue Sail, Yellow Bush) (2013) Photo reproductions from six boxes named Color, consisting of photo reproductions by Leif Preus of autochromes taken by unknown photographers. In the courtesy of Preus Museum Cibachrome collages, photo reproductions mounted on their contrast colours Photo: Randi Grov Berger/Entrée Installation view at Entrée

A Carpet of Primroses (Red Dress, Red Flowers, Green Study, Blue Interior (Darker), Blue Interior (Bright), Blue Sail, Yellow Bush) (2013)
Photo reproductions from six boxes named Color, consisting of photo reproductions by Leif Preus of autochromes taken by unknown photographers. In the courtesy of Preus Museum
Cibachrome collages, photo reproductions mounted on their contrast colours

Photo: Randi Grov Berger/Entrée
Installation view at Entrée

Colour Corrections (2013) Analogue monochromes, made without the photographical negative Unique C-prints, 50,8 x 42 cm and 64,5 x 50,8 cm Photo: Randi Grov Berger/Entrée Installation view at Entrée

Colour Corrections (2013)
Analogue monochromes, made without the photographical negative
Unique C-prints, 50,8 x 42 cm and 64,5 x 50,8 cm

Photo: Randi Grov Berger/Entrée
Installation view at Entrée

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For the Sake of Colour